scarlettina: (Whale of a state quarter)
[personal profile] scarlettina
Tonight, as recorded only a couple of hours ago, I attended a reception at MOHAI for the opening of a new exhibit there, Essential Seattle, which follows the history of the city from its Native American heritage through the WTO riots and more. Some of the city's great and good were in attendance; the crowd seemed well-informed and enthuastic. The exhibit is really good, with new artifacts on display: the first American flag ever to fly in the city, a blanket woven by one of the city mothers, album covers by NIrvana and Sound Garden (they're history, too!). Also, part of the creation of this exhibit included beefing up other exhibits in the museum, too, which was a long time coming IMNSHO.

My favorite exhibits included those about the earliest settlers, World War II (including some unflinching coverage of the Japanese internment), the Alaska-Yukon-Pacific Exhibition, and the 1962 World's Fair. It struck me, especially looking at the pictures of the Borens, the Yeslers, the Dennys—Seattle's early and most prominent citizens, for whom some of our main streets are named—and reading about them, that these guys really did come out here to make a buck in the fastest way possible. Certainly, the most popular history of the city, Sons of the Profits, makes no bones about that. But crass as they were, they were also determined and admirable in their way. The World's Fair exhibit for some reason really choked me up; I still haven't figured out why—maybe it was a little civic pride.

During the brief speechifying, the museum's president listed the organizations he wanted to thank, which included big corporations, law firms . . . and Dick's Drive-in, a Seattle stalwart since, like, 1954. I remarked, "Oh, that's funny." A blond, impeccably and expensively dressed woman standing next to me said, "Oh, but they've been pillars of the community for years." "Oh yes, I know" I told her, "I just think it's great that in the middle of this list of big, serious firms is . . . well, Dick's Drive-in." She chuckled and nodded. We exchanged quiet remarks throughout the talk, and then the president mentioned that some of the city's leaders were present. He wanted to acknowledge them. Turned out this lovely woman was Jan Drago, one of the members of the Seattle city council! (Turns out she's the chair of the Transportation Committee, which means she has quite a bit to answer for, but that's a subject for another time.) She was polite and pleasant with me, and it was a kick to discover she was who I chatted with.

Date: Tue, Nov. 14th, 2006 05:25 am (UTC)
From: [identity profile] holyoutlaw.livejournal.com
A brush with greatness! Wow!

Date: Tue, Nov. 14th, 2006 06:39 am (UTC)
From: [identity profile] gaelfarce.livejournal.com
Jan Drago? Janissary Dragoman? THAT must be why Transpo sucks! arrrghhh

*huzzah for not all that close homophones!*

MOHAI

Date: Tue, Nov. 14th, 2006 04:05 pm (UTC)
From: [identity profile] ladyjestocost.livejournal.com
My grandfather went to the AYP, and some of my earliest memories are of the World's Fair - the Bubbleator operator and the pylons outside the building that's now the Science Center (I did not like those for some reason). We lived in Marysville then, and my grandparents had given my parents season tickets to the fair.

I think the Bubbleator started out in the Coliseum (Key Arena) and after the fair, went to the Food Circus (Armory before the Fair, now Center House) and after the Food Circus's remodel in the early 80s, wound up as someone's greenhouse in West Seattle.

The Sky ride at the Puyallup also started out at the World's Fair, and was on the center grounds for many years. I think it moved when they built the Bagley Wright Theater.

Date: Wed, Nov. 15th, 2006 02:41 am (UTC)
From: [identity profile] bedii.livejournal.com
If you enjoyed Sons of the Profits you must read Totem Tales of Old Seattle. (I'd lend you my copy but you'd have to help me shelve books to find it.) I gave Kaja a copy some years ago: there was a mass-market paperback from a publisher that went broke a month after they printed it, but there are enough hardbacks around that you may luck into one.

What would be even better is if we could find you some of the Seattle magazines from the 60's. Basically, the top reporters at KING did a magazine with all the stuff they couldn't put on the air. Until the Bullett family had to pull the plug because of the financial drain on the rest of the company it was the muckraking magazine in Seattle. The Weekly and The Stranger only dream of raising that much hell.

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