The BBC's official
Doctor Who Web site has posted their design for this week's episode, "School Reunion," and there's Anthony Stewart Head, who's the guest star,
perched on the rooftop of a school . . ..
markbourne has been "acquiring" the season two episodes, and showed a small group of us the first two last Sunday evening. (He has my undying gratitude for this endeavor.) I'm enjoying David Tennant as the new Doctor. He's full of manic energy in the role, but I still see those moments of darkness that were so much more prevalent with the Eccleston Doctor. I like his chemistry with Billie Piper. I'm not sure I like him
better than Ecclestonhe's
different, different enough for a comparison to feel, at least to me, unjust. But I do like him and expect to enjoy his Doctor very much. And now, the resumption of TV Blogging:
New EarthThe opening of the episode felt good to me: After trauma, death and regeneration, storms of tears, and alien invasion, Rose and the Doctor are off on an adventurea larkjust enjoying eachother's company. It is the stuff of giddy, smutty fanfic in all its glory. One gets the sense that this Doctor has sloughed off some of the pain and darkness of the Time Wars that Nine hadn't worked off yet. He's finally enjoying himself, relatively grief-free.
And we're finally off to an alien planet: New Earth, all squeaky clean and shiny with that skiffy, Golden Age sheen that I sometimes miss in contemporary science fiction. And there are
cat people! Cat nuns, to be precise! What's not to like?
Of course, something's going on, and the Doctor and Rose find themselves very quickly separated from eachother, the Doctor to learn about the Sisters of Plenitude and Rose to discover Lady Cassandra in fine form, a bitchier-than-ever trampoline, but not for long. Cassandra's body swapping trick is at least one of the main engines for the story. While I like the
idea, Russell T Davies' script isn't consistent with regard to how body swapping takes place (first a mechanism is required, then merely a will to move?). The inconsistency didn't bother me at first, but upon reflection I find myself a little irritated about it. Why create a required mechanism if you're going to discard it when it becomes inconvenient? I do think, however, that Piper did a splendid job assuming the character of Lady Cassandra when Cassandra does her body-swap. I was entertained by Tennant's body-swap moment, too.
I also found myself unwilling to examine too closely the scientific premise of creating a class of clones each infected with
every possible human illness to help develop cures for the rest of humanity. It doesn't hold up . . . but it's a great excuse for creating a cast of cankered, lumbering zombies.
Lastly, Cassandra's turn-around at the end of the episode happened too quickly and wasn't firmly founded in the story as it developed. We're suddenly to feel sympathetic toward her; I didn't buy it.
A subplot in all of this was the appearance of the Face of Boe and the prophecy that it would share a secret with the Doctor before it died. It's a compelling mystery and the Face of Boe is an interesting and mysterious character. I have to be honest, though: I didn't like its psychic voice. It was too much The Voice Of God somehow, and it felt a little like a letdown because it was exactly what I expected. I did like the sense one got that, as the Doctor knelt by Boe's tank, he felt a sympathy and a kinship that was rare for him, old and solitary in the universe. It's one thing, at least, that he'll never be able to share with Rose. I'm curious to see what happens as a result of all this.
And then there's the kiss: a cheat! It wasn't a Doctor/Rose kiss! It was a Doctor/Cassandra kiss. Waaaah! Cheat! Cheat! I want proper Doctor/Rose snoggery! (The Doctor: "Still got it." ::chuckle::)
In the end, I think this episode was a compilation of great ideas that were sewn together too quickly. With a little more thought, it might have been a great episode; as it is, it's merely good enough.
Tooth and ClawI'll always enjoy anything that's set in Victorian England. It was such a time of change, exploration, and great clothes (!), so this story feels like it was a perfect fit for the era. I had more than a vague idea that this episode would be a launch point for Torchwood history because of the
Torchwood House Web site that one of the good folks on the
doctorwho community linked to. (Click "Observatory," then click "Scan for Heavenly Bodies." Then input the password, which is the name of the queen.) Anyway . . .
Generally speaking, I liked the story here. I liked Queen Victoria's part in it all. I enjoyed the weaving of the werewolf mythology. (I found myself wondering about the mistletoe element, though; is that actually a part of werewolf lore I was never aware of, or is it a concoction for this episode? If it's the latter, it's a good one.) Fun to hear David Tennant speak in his own accent. Good continuity moments included the Doctor's dark expression over dinner when there was discussion of being the last surviving member of a family (though I'm not sure I buy Tennant's darkness here; he just looks so freakin'
young). I also liked the MacLeishes. Sir Robert and Lady Catherine both showed gumption. I liked the spookiness of it all.
I will admit that, after a while, Rose's harping on "we are not amused" became irritating. It felt like no matter how much exposure she had to the queen, the queen was a fictional character to her. It felt . . . immature, which we haven't seen much of in Rose, though she
is only 19. Hm. 20 now? Anyway, it bugged me. Glad she got her comeuppance when the queen finally
did utter the phrase; she clearly didn't enjoy hearing it.
Though I liked the Doctor proclaiming books their best weapon, I had a substantial
Buffy moment there, and found myself thinking that Davies was treading an awfully thin line. We all know he's a fan, and the new incarnation of
Doctor Who owes a great deal to his appreciation of
Buffy but I really do think he needs to be careful. While I could certainly see the Doctor grabbing a book off a shelf to do a little researchI can see it being in characterit worried me a little. I'll be interested to see how this trend plays out. (After all, next week's episode takes place in a school with Tony Head as guest star. Hm.) Anyway, this
was a good moment.
My thought with regard to Torchwood is: does it appear as though the Queen is establishing the Torchwood Foundation (or whatever she called it) to protect England from the Doctor specifically? If so, that would belie the sense one gets from Season One that The Powers That Be in contemporary England see the Doctor as a force for good (even though he's often a harbinger of bad things). I'm not sure how to parse the relationship between TPTB and the Doctor.
My one big "Huh?" moment came with the martial-arts-fighting monks clad in orange. Talk about anachronism. I think it was
markbourne who pointed out the
Brotherhood of the Wolf parallel there. Interesting note, that. But in the end, it stil left me scratching my head a little.
Still, I liked this episode, and I think I liked it better than "New Earth." Fun stuff and, I'm told, with a clear pedigree back to Classic Doctor Who. Am curious about this week's new adventure.